Jump to...
Franck Mée Published on November 6, 2012
Translated by Catherine Barraclough
This is an archive page, the content is no longer up to date.


  • Sensor BSI CMOS 12 Mpx, 1/1.7" , 28 Mpx/cm
  • Lens 7x 28-200 mm f/2 -4
  • Stabilisation Optical
  • Viewfinder NA
  • Screen 7.5 cm, not TN, 921000 dots, 4:3, Not touch-sensitive
  • Sensitivity (ISO range) 80 - 3200 ISO ext. 41 mm


Like we keep saying, 2012 is the year of the expert compact, with new models landing left, right and centre. It's therefore a year in which brands who've been in the market for a while are making sweeping changes to long-established models. The Nikon P7700, for example, has nothing in common with its predecessor, flaunting a new sensor, lens, electronics and a redesigned body. The only thing the P7700 does inherit from the previous model is its general design, as this is still a classic expert compact with a chunky, macho kind of look and a commando-style all-black finish.


What better way to launch into a new product sector than by imitating the market leader? That's effectively what Nikon did with the P7000 and P7100, which were pretty clearly based on Canon's G-series expert compacts. The result was a series of black, chunky, boxy-looking cameras that looked like something straight out of East Germany.

Three product generations later, the P7700 is still hanging onto the same basic style. The optical viewfinder has, however, been ditched this time around. Then again, it was so poor quality that its removal isn't likely to bother many people. Build quality is good, and while the camera's body isn't all-metal, the materials used are decent quality. Plus, the big, rubber-finished grip handle makes the P7700 easy to keep hold of. The P7700 is a relatively well-designed camera. It uses the same basic formula as the P7100, but with a few tweaks to make handling easier. The front thumb-wheel, for example, is now more discreet and easier to access with your index finger. On the whole, you have to look pretty hard to find a few minor design flaws in this camera—like the wrist-strap hook that sticks out from the side of the camera right where your hand rests.

Nikon Coolpix P7700 - screen and controls

The screen is taken straight out of the P7100, with the same qualities (definition, decent enough colour fidelity) and the same faults (light greys overexposed). However, it's now a full swivel screen that flips out from the camera's body, which is handy for lining up shots in all kinds of situations. That said, you shouldn't rely entirely on this display when adjusting the exposure—make sure you activate the histogram.

The interface is standard stuff as far as Nikon expert compacts go, with linear menus and no resounding hierarchy of information within them. There's a good selection of customisable controls too, as you can set the direction you want the settings wheels to spin, customise buttons like the Fn keys and save your favourite settings to three user profiles. The Fn1 button, which falls under the right ring finger, can be used a bit like a Shift key in conjunction with the settings thumb-wheels. You can therefore choose an extra setting for the shutter release button plus the front and rear thumb-wheels. There's no Quick menu here, but a separate control gives direct access to image quality, while balance, ISO, etc.—a feature that's reminiscent of the now-defunct Minolta A-series bridges.

One thing we do regret is that there's no video record button. Honestly—how is that possible in a 2012 camera that films Full HD video? You can't even assign a video record function to one of the customisable keys. The three thumb wheels can also be a little strange to use (see inset).


The glass is either half empty or half full, depending on how you pan to use the P7700. It starts up pretty quickly, the autofocus works well in good light, the burst mode shoots at over 6 fps and photos take 2.5 seconds to save, which is a bit slow but it's not disastrous.

Nikon Coolpix P7700 - responsiveness

That, however, is all in Jpeg mode. Everything changes as soon as you switch to RAW. Photo-to-photo turnaround takes almost seven seconds (during which time the camera is totally frozen so you can't even change a setting), and while the burst mode still shoots six frames in under a second, the P7700 then freezes for almost 30 seconds while dealing with the shots! That's simply not acceptable.

So for anyone working in Jpeg mode, responsiveness is at four-star level in the P7700. But if you're working with RAW shots, responsiveness drops to one-star standard.


Everything is new in this camera. In fact, the only thing the P7700 has in common with the P7100 is the focal range (28-200 mm). Otherwise, the P7700 has been treated to a lens that's one EV faster (f/2-4) and a 12-Megapixel BSI CMOS sensor that's still 1/1.7" in size.

Nikon Coolpix P7700 - ISO test, picture quality

We were keen to see how this camera handled sensitivity, as the sensor's specs look very similar to those seen in the Samsung EX2F, which wasn't quite on par with the latest models from Canon and Panasonic. Nikon, however, does a better job than Samsung, with images that hold up very well up to 800 ISO. Plus, 8" x 10" prints (20 x 27 cm) will still come out fine at 1600 ISO. However, at 3200 ISO, smoothing and noise will be visible on 4" x 6" prints (11 x 15 cm). On the whole, Canon still does a better job of keeping noise in check (particularly with the G15, the main rival for this P7700), but the difference in quality isn't enormous. The Panasonic LX7, on the other hand, takes a cleaner image but with image processing that isn't quite as natural. You pays your money, you takes your choice.

And, obviously, the Sony RX100 with its 1" sensor still runs circles around all other current competitors.

The new 28-200 mm lens also has a lot to prove, as it's unusually fast for a 7x zoom. The good news is that it's truly an excellent surprise at wide angle! From f/2, images are very sharp over the whole frame—to such an extent, in fact, that a moiré effect is clearly visible in the image above, taken from the edge of our test scene. That's pretty unusual in a compact camera. At telephoto, sharpness drops a little but remains very consistent over the whole shot. The corners of pictures taken with the P7700 are comparable in quality to the Panasonic LX7, which is top dog in the this particular field right now. In fact, the corners of shots taken with both these cameras at telephoto are actually more detailed than images from the Sony RX100. The RX100 may have a 20-Megapixel sensor, but the corners of telephoto shots are still a little hazy.

All in all, this Nikon lens is really quite good. In fact, it ultimately helps the P7700 edge ahead of the Canon G15. Some users may even prefer the P7700 to the Panasonic LX7.


The P7700 films 1080p HD video at 30 fps with stereo sound. Image quality is good, with reasonable exposure and good sharpness levels ... so long as you don't change focal length (i.e. zoom). The P7700 doesn't refocus continuously in video mode—something which is obviously pretty essential if you zoom!

In environments that aren't too noisy, sound is recorded well with a nice stereo effect. However, as the volume increases, quality drops and noises sound metallic. Distinct sounds get mixed up and confused, and picking out or recognising a voice isn't particularly easy.
Three Thumb-Wheels!
Most expert compacts have two settings thumb-wheels, sometimes including lens rings or the settings wheels your often see around four-way arrow keys. These controls let you change settings quickly, and are direct descendants of the speed/aperture controls seen in film cameras.

There are three settings wheels in the P7700: a thumb-wheel on the front just under the shutter-release; a second thumb-wheel on the back, just under the thumb; and a third wheel around the arrow keys on the back of the camera. In theory, then, you should be able to change three different settings—let's say speed, aperture and sensitivity. Unfortunately, Nikon hasn't made these three controls as handy as they could be, as very often two of the wheels double up with the same function. Worse still, they sometimes have no function at all. In Manual mode, for example, the front wheel is used to set the aperture, the rear wheel controls speed, but the wheel around the arrow keys has no function. In A, mode, the front wheel controls aperture and the two others do nothing at all. Plus, even though there are plenty of customisation options elsewhere in the camera, there's no way of allocating other settings to the three wheels!

The worst example has to be in playback mode, where the zoom control and the front and back thumb wheels all serve to zoom in on a picture, while the wheel around the arrow keys does nothing at all. One of them could have at least been used to flick between images!


  • Good build quality, excellent design and handling
  • Swivel screen: pleasant-to-use, relatively well calibrated
  • Loads of settings and advanced customisation options
  • Good picture quality up to 800 or even 1600 ISO
  • Lens is very good from full aperture


  • Bulky, no viewfinder
  • Some strange design/handling features
  • Responsiveness is a mixed bag: unacceptable slowness in RAW mode
  • No video record button, no continuous autofocus in video mode, audio quality could be better


The Nikon Coolpix P7700 is a nice update with first-rate build quality and a very nice lens. It has the most powerful zoom in the expert compact market but it's also the beefiest model on the block. It's clearly no match for Sony's RX100 in low light, but otherwise it outdoes most other current expert compacts (with the notable exception of Panasonic's LX7). It's just a shame the RAW mode is so painfully slow that it's barely usable.
4 Nikon Coolpix P7700 DigitalVersus 2012-11-06 15:59:00


Add to favorites